{"id":57,"date":"2026-08-19T13:30:11","date_gmt":"2026-08-19T12:30:11","guid":{"rendered":"https:\/\/soundbytom.co.uk\/?page_id=57"},"modified":"2026-09-16T11:39:16","modified_gmt":"2026-09-16T10:39:16","slug":"reviews","status":"publish","type":"page","link":"https:\/\/soundbytom.co.uk\/?page_id=57","title":{"rendered":"Reviews"},"content":{"rendered":"\n
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Tom Brooks\u2019 sound design ensures clarity without losing blend.<\/p>\n\n\n\n

East Midlands Theatre – KW Productions – Sweeney Todd – September 2026<\/strong><\/p>\n<\/blockquote>\n\n\n\n

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Recorded tracks were the main source of music during the show, and sound designer Tom Brooks ensured that a well-balanced level was achieved throughout…. All lead singers wore mics; the singing was well executed and blended when demonstrating challenging harmonies.<\/p>\n\n\n\n

Trinity Assessor – LCPA Summer Show 2026<\/strong><\/p>\n<\/blockquote>\n\n\n\n

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Tom Brooks<\/strong> provides clear sound<\/p>\n\n\n\n

Beyond The Curtain – LOPS – Dirty Rotten Scoundrels – April 2026<\/strong><\/p>\n<\/blockquote>\n\n\n\n

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Sound operation by Tom Brooks was fantastic throughout! There were very, very few mic issues which is commendable for a show with such a large cast and large amount of costume changes which could impact mics. All tracks were timed without issue and the show ran seamlessly.<\/p>\n\n\n\n

Beyond The Curtain – Williams Creatives – Frozen Jr – April 2026<\/strong><\/p>\n<\/blockquote>\n\n\n\n

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Tom Brooks\u2019 sound design was strong throughout; even when a few microphone issues arose, the cast handled them with professionalism and confidence.<\/p>\n\n\n\n

NODA – Williams Creatives – Frozen Jr – April 2026<\/strong><\/p>\n<\/blockquote>\n\n\n\n

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 Sound and lighting were sensitive and well-controlled<\/p>\n\n\n\n

NODA – Williams Creatives – Little Shop of Horrors – October 2025<\/strong><\/p>\n<\/blockquote>\n\n\n\n

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Sound is by Tom Brooks. I, and this is only on a personal level, would have liked the backing musical tracks with just a tad more volume, but apart from that, there are no complaints from me regarding the quality and clarity of the tracks or the volume set on the actor’s mics.<\/p>\n\n\n\n

Kev Castle Theatre Reviews – Williams Creatives – Little Shop of Horrors – October 2025<\/strong><\/p>\n<\/blockquote>\n\n\n\n

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Tom Brooks\u2019 sound design ensures clarity without losing blend. East Midlands Theatre – KW Productions – Sweeney Todd – September 2026 Recorded tracks were the main source of music during the show, and sound designer Tom Brooks ensured that a well-balanced level was achieved throughout…. All lead singers wore mics; the singing was well executed … <\/p>\n

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